Iannis Xenakis. The electroacoustic music
Identifieur interne : 000023 ( Main/Exploration ); précédent : 000022; suivant : 000024Iannis Xenakis. The electroacoustic music
Auteurs : Makis Solomos [France]Source :
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Abstract
Xenakis’ electroacoustic works are relatively few in his whole production, but they are very important. Indeed, most of them punctuate the history of electroacoustic music as masterpieces full of originality and innovation. As they are composed at important moments of Xenakis’ evolution, these works can also be analyzed to understand the various aspects of his musical, theoretical, aesthetic and interdisciplinary thought: research on noise, granular theory, experimentations on spatialization, inter-artistic realizations… This book stems from an international symposium organized in May 2012 by Musidanse (University Paris 8), which hosted forty researchers (musicologists, composers ...) —among them many internationally recognized Xenakis’ specialists. It contains seventeen papers from the symposium and two other papers. It testifies to the extraordinary richness and vitality of Xenakis’ studies.Articles by: Andrea Arcella – Stefano Silvestri, Agostino Di Scipio, Dimitris Exarchos, Reinhold Friedl, Anastasia Georgaki, Benoît Gibson, James Harley, Peter Hoffmann, Boris Hofmann, Ryo Ikeshiro, Mihu Iliescu, Mikhail Malt, Adriano Monteiro – Said Bonduki, Kostas Paparrigopoulos, Gérard Pape, Isabel Pires, Curtis Roads, Makis Solomos, Charles Turner
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Le document en format XML
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<front><div type="abstract" xml:lang="en">Xenakis’ electroacoustic works are relatively few in his whole production, but they are very important. Indeed, most of them punctuate the history of electroacoustic music as masterpieces full of originality and innovation. As they are composed at important moments of Xenakis’ evolution, these works can also be analyzed to understand the various aspects of his musical, theoretical, aesthetic and interdisciplinary thought: research on noise, granular theory, experimentations on spatialization, inter-artistic realizations… This book stems from an international symposium organized in May 2012 by Musidanse (University Paris 8), which hosted forty researchers (musicologists, composers ...) —among them many internationally recognized Xenakis’ specialists. It contains seventeen papers from the symposium and two other papers. It testifies to the extraordinary richness and vitality of Xenakis’ studies.Articles by: Andrea Arcella – Stefano Silvestri, Agostino Di Scipio, Dimitris Exarchos, Reinhold Friedl, Anastasia Georgaki, Benoît Gibson, James Harley, Peter Hoffmann, Boris Hofmann, Ryo Ikeshiro, Mihu Iliescu, Mikhail Malt, Adriano Monteiro – Said Bonduki, Kostas Paparrigopoulos, Gérard Pape, Isabel Pires, Curtis Roads, Makis Solomos, Charles Turner</div>
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